Bio

Judd Morrissey is a writer and code artist who creates poetic systems across a range of platforms incorporating electronic writing, internet art, live performance, and augmented reality. He is the creator of digital literary works including The Precession: An 80 Foot Long Internet Art Performance Poem (2011), The Last Performance [dot org] (Electronic Literature Collection Vol.2, 2011), The Jew's Daughter (Electronic Literature Collection Vol.1, 2006), and My Name is Captain, Captain (Eastgate Systems, 2002). He is a recipient of a Creative Capital / Andy Warhol Foundation Arts Writers Grant, a Fulbright Scholar’s Award in Digital Culture, and a Mellon Foundation Collaborative Fellowship for Arts Practice and Scholarship.
Judd is an Assistant Professor at the School of the Art Institute of Chicago in Art and Technology Studies and Writing. From 2006-2009, he worked with the seminal performance group, Goat Island. In 2012, he co-founded the language, performance, and technology collective Anatomical Theatres of Mixed Reality (ATOM-r). The group are currently working in-residence at the International Museum of Surgical Science in Chicago. Their first work, The Operature, premiered in 2014, and they are working on a large-scale project, Kjell Theøry, scheduled for completion in 2017.
Judd's projects have been included in a broad range of festivals, conferences and exhibitions with recent venues including Centro de Arte Contemporáneo (Buenos Aires), Zero1 Garage (San Jose), Eyebeam (NYC), Le Cube (Paris), Casa das Caldeiras (Coimbra), Anatomy Theater & Museum (London), Performing House (York), Center of Contemporary Culture Barcelona, Museum of Contemporary Art Chicago, Landmark Kunsthalle (Bergen), House of World Cultures (Berlin), Teatre & TD (Zagreb), and the Chicago Cultural Center. His work has been the subject of numerous critical studies and reviews have appeared in the New York Times, The New Republic, RAINTAXI, and the Iowa Review.